Red-tailed Hawk — Giclée on Paper ducks This painting knows the subject

This painting knows the subject from the inside

This portrait is more intimate than Glen's full compositional fawn studies — stripped of the surrounding habitat

This 1981 coloured pencil landscape is one of Glen's most expansive agricultural scenes: the repetition of the pumpkins across the middle distance creates a rhythm that carries the eye to the far field

The pomegranate flower is one of the most architecturally interesting botanical subjects Glen chose — the leathery calyx

Glen's orchard compositions sit between his formal botanical work and his landscape practice

Red-tailed Hawk — Giclée on Paper ducks This painting knows the subjectA Red tailed Hawk in level flight, carrying a meadow vole the diagnostic rust red tail fanned and vivid, the wings spread in the full soaring posture, the prey hanging from the talons. This 1978 watercolour is one of Glen's finest raptor in flight compositions: the hawk's position turning slightly, the wing angled to show the full pattern of the flight feathers allows the viewer to see the bird from below, which is how we most often encounter Red